Team

Nayana Keshava Bhat

dancer/choreographer/teacher, born in 1985 in Karnataka, India.

I am trained in Bharatanatyam and graduated from Salzburg Experimental Academy of Dance (SEAD) with a post-graduate certification in choreography. Besides, I am a qualified journalist, with work experience in print and electronic media. Having worked as a professional performance artiste for over a decade, both for companies as well as independently, I learned, albeit through painful mistakes, how to work with other artistes in different roles as a performer, as a choreographer, as a facilitator, as a team member, or/and as a leader. I learned to create my artistic expression through diverse but complementary media such as dance, clown-theatre, textual improvisation and writing. I am learning actively to combine my journalistic curiosity and skills and my physical abilities as a dancer in my works as an artist.

  • people and bodies, in stories of all kinds, drama, humour
  • exploration and experimentation of time and space
  • consciousness and matter
  • the why’s and the how’s
  • creating works that embody and express contrasting ideas
  • in bridging the gap between contemporary art and its (potential) audiences through artistic works
  • in creating a space for artists to come together to create their own works

I believe that in order to create impactful works we need a community that supports itself. We need a network of people with whom we can create long-term collaborations in every sense, through which we can create meaningful works that can bring us forward. INFLUX is meant to develop such a community where differences will be celebrated, where diversity will be the driving source of creativity, where creative people can work together in an honest, sincere and sustainable way.

Also because, through INFLUX I want to contribute towards branching arts out into various aspects of life, not confining to performance spaces and theatres, but as an essential part of our daily lives.

Julia Leckner

singer/actress/personal assistant for disabled people,  born in 1987 in Bad Tölz (Germany)

Julia Leckner

singer/actress/personal assistant for disabled people,  born in 1987 in Bad Tölz (Germany)

I completed my Masters honors in Mozarteum University, Salzburg in 2017 in Opera and Music Theatre. During this time, I also took singing lessons from Bernd Valentin as well as the song and oratorio class of Thérèse Lindquist.

Through my roles in Mozarteum’s opera productions „Dialogues des Carmélites“ (2016) and in the role of Marcellina in „Le nozze di Figaro“ (2017), I have had important insights into the classical singer’s world.

Since 2011, I am a member of the Salzburg Bach Choir, through which learned being a part of a big group.

Furthermore I am a part of the acting group Theater der Freien Elemente since 2014, and thus learned being a part of a smaller group.

With the accordionist Jovica Ivanovic I am in a constant collaboration and learned being a part of only two parts…

Besides the singing performances in various genres (classic, jazz, modern, pop), I had the possibilities to get in touch again with my former studies in violin at several improvisation performances with Andrea Beringer & companions and also with the theatre groups achetypen and Marktbühne Berchtesgaden.

I have sung cabaret pieces (KulturNacht 2012/2017) and performed as a speaker and actor in Prokofjew’s symphonic fairy tale for children „Peter und der Wolf“ with Solitär Quintett for several concerts. Every concert is different and fascinating especially because of the presence of the children. From this I learnt: YOU NEVER LEARN ENOUGH!

In 2018, I had the chance to work with the Ensemble Desiderio for the theme „Folksongs“ in South-Tyrol and being part of two amazing concerts in Bruneck and Bozen.

Since 2019 I am supporting INFLUX as an Assistant in questions of organisation and creative work and learned, how to learn things.

Besides my work as an artist and an INFLUX-member, I am working on my degree as a Lebens-und Sozialberaterin, and I work as a personal assistant for disabled people since several years.

Especially learned until now:
„Sometimes you win. Sometimes you learn. You never lose.“

• work with cooperative people
• new and old connections and creative overlaps
• people and their interests, and deeper needs
• the combination of art work and social work
• bringing different people of all kinds and genres together and learning to understand
• complex processes
• HUMOUR

Ursula Schwarz

actor/clown/theatre pedagogue, Salzburg-based, born in 1983 in Linz, Austria.

  • that I like to work with people and groups – so I studied pedagogics
  • how to inspire others to be artistic, creative and theatrical – in my training of education of theatre
  • to laugh about myself and accept that the inner idiot is always there – that’s why I became a clown
  • that theatre doesn’t necessarily need words – so I trained in physical theatre in Berlin
  • that I love to be on stage – but I am also talented and keen on directing

everything i do is about connecting (with) people

  • stories of all kinds – film, theatre, movement, songs,….
  • touching people and make them laugh – with my clowning and performances
  • teaching arts and inspire people to think out of the box – in theatre and clowing workshops with all ages
  • the social and political impact of arts – bringing arts into the urban image of Salzburg
  • questioning sexual stereotypes and gender topics – in my clowning and theatre projects

It is important to have a network in which artists support each other. I am interested in connecting with others and find the tie points between people, different artworks and artistic ways of expression. I think art should raise questions, make connections where others may not see them and inspire everyone to take action too! Art shouldn’t close herself up in an artistic ivory tower, but be with the people. That’s what we try to do with the interdisciplinary work of INFLUX! And I am looking forward to the different kinds of projects and workshops we will realise! What I enjoy most is the chaos in the beginning, the devising work and the improvisation – not knowing where it will lead….